Nice grays you've made there, mixing complements with titanium white is the way to do it right. No one needs black pigment.
Jules started to use the pounce technique and switched to the scribing technique, faster. What I found out on my next fresco up in NY was, Scribe lightly, take some color, paint up to the line and smooth out the intonaco, the color will stay and you have no scribe line. That's faster than pouncing also. I transfered my Magic Marker drawing on thin plastic with a ball point pen and the lines barely showed and were easy to press out.
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