There is the thought that an outline belongs to the object behind it. That's where the shadow color would go.
You used the scribe lines well introducing a texture to the intonaco.
12x12, very little color change and all colors absorbed well in this buon fresco, quinacridone coral, Thalo Blue, Thalo Green, cinabrese and burnt umber. Paint tints with added white pigment instead of limewater to see the final color before it dries.
All colors absorbed well in this 8x8 fresco, this is a good buon fresco also, nice going Camille.
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