Mixing oil colors of a limited palette.
This color wheel was made with three colors plus white in 1996.
The three colors used to make this color circle were,
Bocour Cobalt Violet, a cool transparent magenta, a warmer magenta is Acra Violet in acrylics and D.S has Quinacridone magenta.
Bocour's cobalt violet makes Ult. Blue so well you can do without it.
Grumbacher Thalo Blue
Old Holland Gamboge
Today, 10-30-04, ten years later, the Pigment Color Index Number is important but I think the system need some renovation.
Here is today's pigment choices for the primary triad.
Primary transparent triad Indian Yellow PG10F duel-toned orange/side and Indian Yellow PY153 as the brown/side,
both dioxine nickel complex.
Magenta Quinacridone PR122
Cyan Phthalocyanine PB15.3 or 4
I'll be.. the same pigments :) Except there is no more Cobalt Phosphate pigment.
The three colors used to make this color chart were,
Old Holland Gamboge
Grumbacher Thalo Blue
Danial Smith or Old Holland Magenta, dioxotetrahydroquinolinoacridine
is quinacradine PR122
Made by my friend Scott,
he also uses no black pigment.
As you can see, he doesn't need to.
1-27-08, I'm a little late on this update, I think it was in 2005 when a new color came out that is a perfect magenta, except it's fugitive.
It's called Opera, here's the link Opera pigment
How to make neutral dark colors?
How to mix new colors with a limited palette. These are acrylic paints.
Column 1 down. Cad Red Med. plus Thalo Blue. NEUTRAL
Column 1 down, Cad Red Light plus Thalo Blue.
Column 1 down, Burnt Sienna plus Thalo Blue
Column 2 down, Thalo Green plus Magenta. NEUTRAL
Column 2 Thalo Blue plus Cad Red. NEUTRAL
Column 2 Thalo Blue plus Cad Red making neutral gray again
Column 3, Ult. Blue plus Burnt Sienna. = Burnt Umber
Column 3, Ult Blue plus Burnt Umber. NEUTRAL
Column 4, Dioxazine. Purple plus Green Oxide. NEUTRAL
Column 4, Thalo Blue plus Red Oxide. NEUTRAL
No Image, Ultramarine Blue plus Red Oxide. NEUTRAL
Expand the palette without adding new tube colors.
Lemon Yellow Light will not make Bt. Umber or Bt. Sienna or Orange or Cad. Red Light Med.
Gamboge will not make Cad Orange, Cad. Red Light or Lemon Yellow Light.
Three transparent Oil Yellows.
Old Holland Yellow Orange Lake Extra, makes a fine Cad Red hue with Magenta
(oil) or Acra Crimson (acrylic).
Old Holland Yellow Brown Lake Extra, makes a fine Dark with Ult. Blue
Old Holland Gamboge Lake Extra, Gamboge is a translucent pigment between the
two.
#36.3 Transparent yellow-green, like Rich Green Gold Nickel Chelated Azo PG10
Or a #36.7 Green Gold Azomethine or Irgazine Green PY129 all will mix with Thalo green to make a chip color simulation
of Hooker's green. A pigment that uses black in it's color. It is a hard color to mix without having to resort to a third color pigment.
How do you make a Cad Medium Deep, blood Red deep?
Cad Red Medium and Magenta.
If I had only 6 oil colors to paint with, let it be these 6.
Gamboge
Cad Yellow Light
Cad Orange Medium
Cad Red Light
Quinacridone Magenta, PR122
Thalo Blue, PB15.3, Some brands just call this color PB15, New 3-15-8, Old Holland makes a transparent Manganese blue PB33
Then Ultramarine Blue, Purple, Thalo Green, Burnt Umber, Burnt Sienna
These are the reds and oranges that are new in acrylics for 2000
HOW TO MAKE BROWNS
It's all about the hue and it's transparency or opaqueness.
Manganese is the densest cyan opaque, denser then cerulean. Old Holland made a transparent cyan in 2008 that is excellent. Copper can match the rest of the sky. But it's more than that. Copper includes green also and manganese doesn't. Copper can include the whole sky with three different hues. Opaque Manganese on the other hand is a one trick pony, that one trick being the perfect neutral cyan primary. The manganese blue hue being produced from phthalocyanine is being made more like a transparent cerulean, but even greener. The manganese pure dry pigment is spot on cyan. Opaque cerulean blue dry pigment is sightly on the magenta side in mass and green side as an undertone. This is why I want the transparent manganese blue in watercolor, acrylic and oil paint. O.H. has it only in oil for now 3-15-8. It has no dual-toned qualities, I don't need that in this case. Raul, on another forum said,
TIN OXIDE is black and fires white, mix tin oxide and cobalt oxide with heat and you get cerulean blue. You can get a similar blue by mixing and firing tin and copper chalcanthite with quartz sand like the Egyptians did, this made their highly prized frit colors, which they traded through the Phoenician's, ancient world wide. Since an atom was taken out of copper which made it possible to mix with a sulfur based color like flake white the horizon has widened. Now the transparent copper cyan has wider possibilities. The same pigment used to mix black can now be used to make a sky color. The sky color is three different colors, depending on how close it is to the zenith or the horizon. I'm happy making the bluer zenith color sky by adding a little purple or magenta PR122. It's the transparent horizon sky color I am searching the best pigment for. The transparent copper based Phthalocyanine with a Chlorinated Copper Phthalocyanine seems to be this color. I would also like it as an opaque pigment. Mixing an opaque white into copper it is one answer, but as Raul said, it's handling properties are not as strong as the full strength pigment. What is that element going to be.. Copper, tin and cobalt or manganese. Maybe it will be a mixture of all three. 2008 - It's transparent Manganate PB13 by Old Holland! |
The Brand Oil Colors I Tested for color and consistency
To see this book large enough to read
the colors click below.
Top left half
Top right half
Bottom left half
Bottom right
half
If you can't read my handwriting :-P
Here are the oil colors and brands in
8 rows and 10 columns.
Column 1
1-Blockx Byryum Yellow,
2-Mussini Zinc Yellow, 3-Mussini Cad Yell Med,
4-Mussini Cad Yell Lt, 5-Mussini Cad Yell Med,
6-Mussini Naples Yell Lt,
7-Mussini Cad Orange, 8-Shiva Naples Yell (too soft),
9-Blockx Trans Yellow, 10-Old Holland Gamboge Lake
11-Grumbacher Cad Yell Pale,
12-Mussini Perm Yell Lt, 13-Grum Cad Yell Med,
14-Grum Aureolin
Column 2
1-Grum Cad Red Lt,
2-Blockx Venetian Red, 3-Muss Raw Sienna,
4-Muss Raw Umber, 5-Muss Burnt Umber,
6-Muss burnt Sienna,
7-Muss Yell Raw Ocher,
8-Sheva Venetian Red (too cool), 9-Muss Golden Ocher,
10-Old Holland Translucent Yell Oxide,
11-Old Holland Indian Yellow
Brown Lake Extra, 12-Old Holland Yellow Orange Lake Extra,
13-W/N Indian Yellow,
14-W/N Indian Red
Column 3
1-Danial Smith Quinacridone
Magenta, 2-Rembrandt Chinese Vermilion,
3-Rembrandt Rose, 4-Liquatex Acra Violet,
5-Mussini Violet Perm,
6-Liquatex Dioxazine Purple, 7-Mussini Naples Yellow Deep,
8-Grumbacher Thalo Blue, 9-Mussini Naples Yell Lt,
10-Blockx Naples Yell Lt,
11-Grumbacher Bt Sienna, 12-Mussini Perm Red Dp, 13-Permanent
Pigment Cad Red Med Lt,
14-Permanent Pigments Cad
Red Lt
Column 4
1-Danial Smith Bright Red,
2-Mussini Ult Deep, 3-Mussini Ult Lt,
4-Mussini Royal Blue Dp, 5-Mussini Manganese Blue,
6-Mussini Royal Blue Lt,
7-Liquatex Thalo Blue, 8-Shiva Blue Lt Thalo,
9-Grumbacher Cobalt Blue, 10-Grumbacher Naples Hue,
11-Rembrandt Asphaltum
Ex, 12-Blank, 13-Grumbacher Thalo Red
Rose, 14-Grumbacher Cobalt Violet hue
Column 5
1-Danial Smith Organic Vermilion,
2-Mussini Paris Blue, 3-Mussini Cobalt Blue Lt,
4-Danial Smith Mediterranean Blue,
5-Old Holland Schevenings
Blue Lt, 6-Blockx Cerulean Blue, 7-Mussini
Thalo Blue, 8-Shiva Cobalt blue, 9-Not
Recorded,
10-Blockx French Ult Lt,
11-Grumbacher French Ult, 12-Rembrandt Ult Violet,
13-Grumbacher Dioxazine Purple,
14-Grumbacher Cobalt Rose
Column 6
1-Grumbacher Thalo Green
Y/S, 2-Mussini Phthalo Green, 3-Danial
Smith Thalo Green, 4-Mussini Opaque Green Lt,
5-W/N Perm Green Lt,
6-Mussini Perm Green Lt, 7-Rembrandt Blue Green,
8-Danial Smith Indanthrone Blue, 9-Rembrandt Blue Green,
10-Grumbacher Perm Green
Lt, 11-Grumbacher Cobalt Green, 12-Rembrandt
Sap Green, 13-Grumbacher Green Earth Translucant,
14-Bocor Cobalt Violet
Column 7
1-Grumbacher Cad Barium
Lt, 2-Grumbacher Zinc Yellow, 3-Shiva
Green Gold, 4-Rembrandt Chrome Green Oxide,
5-W/N Cad Green,
6-Old Holland Organic Green
Opaque, 7-Grumbacher Yellow Green Opaque,
8-Mussini Golden Green Translucent,
9-Not a tube pigment,
10-Old Holland Gamboge Syn + Mussini Thalo Green, 11-Grumbacher
Cad Barium Green Lt,
12-W/N Sap Green,
13-Old Holland Green Umber, 14-Not labled
Column 8
1- blank,
2-Grumbacher Thalo Green Y/S, 3-8-All Yarka, too thin in
pigment, 9-Old Holland Black, 10-Grumbacher
Thalo Green B/S,
11-14-Home made colors
For a Real Color Wheel made with my chosen colors photographed.
Details of the selected Oil pigments and palette on a color wheel.
My Oil Pigment palette, the acrylic palette has no transparent yellows, Acra Gold will do in a pinch.
IN THIS MY OIL PALETTE ORDER, COMPLEMENTARY
COLORS ARE NEAR OPPOSITE EACH OTHER
White is in the middle of the palette.
The left top of the palette is Liquitex Dioxazine Purple, Mussini Ult.
Blue Deep or Light,
Rembrandt Cobalt Blue Deep, Grumbacher Thalo Blue, Mussini Opaque Green
Light
and Mussini Thalo Green or Grumbacher Thalo Green Y/S.
The left side goes from the top Liquitex Dioxazine Purple, Mussini
Bt. Umber, Mussini Bt. Sienna,
Blockx Venetian Red, Mussini Yellow Raw Ocher, Mussini Naples Yellow
Light or Deep to
Daniel Smith Quinacridone Magenta at the bottom.
The bottom row of colors is Daniel Smith Quinacridone Magenta, Rembrandt
Rose, W/N Cadmium Red Light,
Rembrandt Chinese Vermilion Extra, Mussini Cadmium Orange, Old Holland
Indian Yellow-Brown Lake Extra,
Old Holland Indian Yellow-Orange Lake extra, Old Holland Gamboge Lake
Extra, Old Holland Cadmium Yellow Medium, Grumbacher Cadmium Barium Yellow
Pale, Bellini Lead Yellow Lemon is in the bottom right corner of the palette.
The right side is from Mussini Thalo Green on the top, then Mussini
Permanent Green Light,
Mussini Genuine Golden Green, Old Holland Yellow Green and Bellini Lead
Yellow Lemon at the bottom.
Water Color Pigments
Here is a link to Water
Color Lessons and paintings on location.
This is what my palette looks like, the colors are combined in wells
to facilitate mixing by keeping colors clean.
Medium size w/c palette, 5 1/4 x 12
Top Row
01a, Talons Ult. Blue Deep, RCW 19c / 01b, Liquitex Bt. Sienna, RCW 04b
02a, Grumbacher Finest Chromium Green Oxide, RCW 34a / 02b, Rowney Venetian
Red, RCW 07b
03a, Grumbacher Finest Thalo Purple, RCW 16a / 03b, Grumbacher Finest
Thalo Green, RCW 31a
04a, Grumbacher Finest Thalo Crimson, RCW 13a / 04b, Grumbacher Finest
Thalo Green, RCW 31a
05, Grumbacher Finest Thalo Violet, RCW 15a
06, Grumbacher Finest Thalo Crimson, RCW 13a
07, Grumbacher Finest Grumbacher Red, RCW 07a
08, Grumbacher Finest Vermilion Light, RCW 06a
09, Grumbacher Finest Cadmium Orange, RCW 04a
10, Grumbacher Finest Cadmium Yellow Deep, RCW 02c
11, W/N Cadmium Yellow, RCW 02a
12, Bocour Cadmium Yellow Medium, RCW 02b
13, W/N Windsor Yellow, RCW 01b
14, Liquitex Hansa Yellow, RCW 01a
Bottom Row
15, Grumbacher Finest Thalo Blue, RCW 25a
16, Grumbacher Finest Thalo Purple, RCW 16a
17, Liquitex Cobalt Blue, RCW 22a
18, Talens Ultramarine Blue, RCW 19b
19, W/N French Ultramarine Blue, RCW 19a
20, Grumbacher Finest Thalo Green, RCW 31a
22, Grumbacher Finest Emerald Green, RCW 33b
23a, Bocour Emerald Green RCW 33b / 23b, Liquitex Permanent Green Light,
RCW 33a
24a, Bocour Olive Green, RCW 34b / 24b, Holbein Permanent Green #1, RCW
33a
25, Talens Hookers Green Deep, RCW 34a
26a, Grumbacher Finest Cadmium Orange, RCW 04a / 26b, Bocour Cadmium
Yellow Medium, RCW 02b
27a, Liquitex Hansa Yellow, RCW 01a / 27b, Grumbacher Finest Yellow Green,
RCW 36a
Small everyday palette, 3 1/2 x 8 1/4
Large studio Pike palette, 10 3/4 x 15
36 RCW colors of 10 degrees each.
Each section color has 10 variables to it's darkest perceptual color before becoming black in the middle.
Each color section has pigments lettered from 'a' as the outside pure or tint color, 'b' is darker than 'a' in the same section, 'c' is darker the 'b', etc..
5 years later, 2004, I changed the plotting numbers from letters to the number of the concentric ring from 0 for the full chroma ring and 1 to 10 for the darker values. Same colorwheel.
Watercolors,
RCW 01a = Liquitex Hansa Yellow,
RCW 01b = W/N Windsor Yellow,
RCW 02a = W/N Cadmium Yellow,
RCW 02b = Bocour Cadmium Yellow Medium, very opaque,
RCW 02c = Grumbacher Finest Cadmium Yellow Deep,
RCW 04a = Grumbacher Finest Cadmium Orange,
RCW 04b = Liquitex Bt. Sienna,
RCW 06a = Grumbacher Finest Vermilion Light,
RCW 07a = Grumbacher Finest Grumbacher Red,
RCW 07b = Rowena Venetian Red,
RCW 13a = Grumbacher Finest Thalo Crimson,
RCW 15a = Grumbacher Finest Thalo Violet,
RCW 16a = Grumbacher Finest Thalo Purple,
RCW 19a = W/N French Ultramarine Blue,
RCW 19b = Talens Ultramarine Blue,
RCW 19c = Talens Ult. Blue Deep,
RCW 22a = Liquitex Cobalt Blue,
RCW 25a = Grumbacher Finest Thalo Blue, Old Holland Manganese blue.
RCW 31a = Grumbacher Finest Thalo Green,
RCW 33a = Liquitex Permanent Green Light,
RCW 33a = Holbein Permanent Green #1,
RCW 33b = Grumbacher Finest Emerald Green,
RCW 33b = Bocour Emerald Green, very opaque,
RCW 34a = Grumbacher Finest Chromium Green Oxide,
RCW 34b = Talens Hookers Green Deep,
RCW 34b = Bocour Olive Green, very opaque,
RCW 36a = Grumbacher Finest Yellow Green,
Here is the Danial Smith RCW for watercolors.
Daniel Smith's Watercolors on Don Jusko's RCW, for mixing complement color neutral dark colors.
The Original RCW painting, 12-19-95, had 4 tints to white on 12 colors with 8 shades to dark neutral.
Painting #816, acrylic, 15x22 on 1/8 mahogany plywood covered with polyester woven cloth.
Liquitex had the first correct magenta back then and called it Acra Violet PR122.
The first printed RCW version had 1 tint ring, 36 colors and 10 shades of each color.
|
Concentric Ring Numbers of the RCW36.
1.00 Outer rings, lighter pigment or tint hue of this color.1.1 100% full chroma for opaque pigments, 50% under-tone tint for transparent pigments. 1.2 1.3 1.4 1.5 1.6 1.7 Mass-Color of Green to Magenta transparent pigments. 1.8 1.9 1.10 is 10% intensity of the mass-color, matching crystals. 1.11 Center black. |
The dots on the colorwheel locate different pigments on different concentric rings.
The Pigment Color Section description for Cadmium Yellow Lemon Opaque is, RCW36#1ring1 or #1.1
#1 is the Pure Yellow arc or section and has 5 pigments below it, each getting darker.
Rings 00, 0, 2, 3, 6 and 10 have pigments in them.
Brown is the darkest intensity of Yellow. Mix this low intensity brown with it's opposite color Ultramarine blue for a neutral dark.
I like D.S. pigments but don't agree with their choice of color wheel in this years (2006) color thoughts on their catalogs last page. Calling it a "Split Primary Palette",
they attempt to make yellow, red and blue the primary colors. Calling a warm magenta PV19 and Pyrrol Orange PO73 mixture a red primary is wrong. Calling a primary cyan
and blue mix primary blue is also wrong, it makes a dirty cobalt blue. It would be cleaner with cyan and magenta but never a primary color. As for mixing a transparent yellow
and translucent yellow to make a primary yellow, geez, how can they be so, whatever.
The transparent "New Gamboge" can be lightened with water or white to make a nice cad yellow hue and the Hansa yellow is cool but it is totally misrepresented in their
photograph of it. It is a cool yellow but not as cool as a nickel yellow or lead yellow. Don't let this palette into your brain, mix your colors using the correct primaries.
Water Colors of the Real Color Wheel 36.
#1.00.1 Lemon Yellow Chromate
#1.00.2 Nickel Titanate Yellow PY53
#1.00.3 Hansa Yellow Light Arylide PY3
#1.0.1 Zinc Yellow
#1.0.3 Bismuth Yellow PY184
#1.0.5 Aureolin Cobalt PY40
#1.0.5 Cadmium Yellow Light PY35.1
#1.0.6 Cadmium Barium Yellow Pale
#1.0.8 Indian Yellow B/s Nickel Dioxine PY153 -PG10F
#1.0.9 Indian Yellow O/s Anthrapyrimidine PY108 Tint
#1.0.9 Flavanthrone Yellow is Vat Yellow 1 PY12
#1.2 Gamboge hue mass-tone translucent PY108
#1.3 Indian Yell Br/s Nickel Diox transp PY153 - PG10F
#1.4 Italian Warm Gold Ocher - Verona Gold opaque
#1.4 Nickel Azo, mass-tone transl PY150 O/s
#1.6 Raw Umber translucent PBr7
#1.10 Burnt Umber translucent PBr7
#2.00 Naples Yellow Light opaque
#2.0.4 Hansa Yellow Medium translucent PR3
#2.0.5 Cadmium Yellow Medium, PY35
#2.3 French Ocher R/s opaque PY43
#2.4 Yellow Oxide/Ocher Br/s opaque PY43
#2.10 Burnt Umber translucent PBr7
#3.00 Naples Yellow Deep opaque
#3.0 Cadmium Yellow Deep opaque
#3.3 Raw Sienna translucent PBr7
#3.4 Italian Deep Yellow Ocher R/s opaque
#3.6 Quinacridone Deep Gold PO48 transparent
#3.7 Transparent Brown Oxide PR101
#3.10 Burnt Umber PBr7
#4.0.1 Isoindolinone Yellow R transparent PY110
#4.0.4 Benizimidazolone Orange transparent PO62
#4.0.5 Cadmium Orange PO20 opaque
#4.6 Burnt Sienna translucent
#4.10 Burnt Umber translucent PBr7
#5.7 Italian Burnt Sienna PBr7 translucent
#5.10 Burnt Umber translucent PBr7
#6.0 Vermilion opaque - China Vermilion transl PR188
#6.10 Burnt Umber translucent PBr7
#7.0.5 Cadmium Red Light PR108 - Thioindigoid PR88
#7.5 Wm. Italian Venetian Red opaque PR101
#7.6 Wm. Red Oxide PR101
#7.9 Benizimidazolone Brown transp PBr25
#7.10 Burnt Umber transl PBr7
#12.0 Quinacridone Rose Bata transp PV19
#13.0 Quinacridone Magenta Y transp PR122
#14.0 Cobalt Violet PV49 opaq - Quin Violet PR212
#15.0 Manganese Violet top-tone PV23 (Rs)
#15.6 Manganese Violet mass-tone, PV23 (Rs)
#16.0 Dioxazine Purple T-tone transp PV15
#16.6 Dioxazine Purple M-tone transp PV15
#18.0 Ultramarine Violet T-tone, translucent
#18.6 Ultramarine Violet M-tone translucent
#19.0 French Ultramarine Blue transl PB29
#19.2 Ultramarine Blue Light transl PB29
#19.3 Ultramarine Blue Deep transl PB29
#22.0 Cobalt Blue opaque PB28
#22.0 Azurite, transp to opaque top-tone, PB28
#22.6 Azurite, transp to opaque mass-tone PB28
#25.0 Pathalo Blue - Cyan T-tone PB15.3
#25.6 Pathalocyanine Blue - Cyan M-tone PB15.3
#27.0 PhthaloTurquiose Top-tone PB15 + PG36
#27.6 PhthaloTurquiose Mass-tone PB15 + PG36
#29.3 Opaque Green Light
#31.0.1 Pathalocyanine Green Y/s T-tone transp PG7
#31.6.1 Pathalocyanine Green Y/s M-tone transp PG7
#31.0.10 Pathalocyanine Green B/s T-tone transp PG36
#31.6.10 Pathalocyanine Green B/s M-tone transp PG36
#33.3 Permanent Green Light opaque PY3 + PG7
#33.6 Hooker's Green Prm. transp PG36 + PY3 + PO49
#34.6 Chromium Green oxide opaque PG17
#35.0 Lime Green
#36.0 Priderit Yellow Yellow-Green opaque PY157
#36.3 Rich Green Gold Nickel Chelated Azo PG10, PG10F is Indian yellow O/s
#36.7 Green Gold Azomethine or Irgazine Green PY129
#36.10 Green Umber mass-tone translucent
I wish.. I had a pre-made Purple made with PR122 and PB15, and a transparent Cool Magenta from Cobalt Violet Phosphorous.
Also a Rhodamine Y, PR81, translucent or opaque, permanent. Maimeri calls it Garanium Lake and it's bright but fugitive. Opera is a great magenta but fugitive.
Other major water colors.
- Permanent Green Light, Pathalocyanine Green, PG7 and Cadmium Yellow Light, PY35. Martin F. Weber, Permanent Green Light
- Anthraquinone Vat, Graphtol Violet CI-4RL, PY45, a transparent deep magenta, will mix to ultramarine blue with cyan. Lefranc & Bourgeois, Egypt Violet.
-Thalo Purple, Dioxazine Purple, PV32 B/s and PV15 Ultramarine violet. Grumbacher. *Dioxazine Purple is a warm purple by itself.
I have a separate palette for night painting.
I could never ask for a better selection of water color brushes
Acrylic Colors
Acrylic brands are not as critical as oil and water colors,
all brands are fairly similar in color and consistency.
Mouse over colors for their names.
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This palette box measures 4 x 6 x 3/4, it closes with a flick
of the wrist and keeps paint moist for a week of every day use.
Here are 19 most used colors.
The lid includes a towel cloth glued to it with a waterproof glue, that
I keep moist. The bottom is a removable pop-out to clean. The box is 1 inch
high
Yellow Light Hansa Arylide Translucent, Cadmium Yellow Light Opaque,
Cadmium Yellow Lemon Opaque, Cadmium Yellow Medium Opaque, Cadmium Orange
Opaque, Cadmium Red Light Opaque, Acra Violet had a name change to Quinacridone Magenta (PR122 = Primary Magenta) Transparent, Yellow Oxide Opaque, Red Oxide Opaque, Burnt Sienna Translucent, Burnt Umber Opaque, Dioxazine Purple Transparent, Ultramarine Blue Translucent, Cobalt Blue Opaque, Cyan Phthalo Blue (Primary Cyan) Transparent, Phthalo Green Y/s B/s Transparent, Permanent Green Light Opaque, Vivid Lime Green Opaque, Brilliant Yellow Green Translucent and three new Liquitex transparent pigments. Acra Gold is orange to brown acrylic, Acra Burnt Orange is an darker orange to brown and Van Dyke Red Hue a red to brown.
THERE IS NO TRANSPARENT YELLOW PRIMARY COLOR FOR ACRYLICS. 2004
Except the acrylic color I make with PY153.
New in 2005 and 2006, D.S., Golden, and many other paint manufactures now make transparent yellow hues.
End Page backward.
NEXT, Oil Palette Setup
PREVIOUS,
Pigment Chip Chart to Real Color Wheel
Real Color Wheel
Order this complete color course on CD, $35.00.
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Free tiff RCW printable zip and CMYK and RGB palettes.
